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A Solitary Writer’s Life

I need to be alone to create, whether I’m alone in the sense that there’s no one here with me, or alone with myself and my thoughts in the middle of a crowd. As long as I’m able to center myself within my mind, I can enter my world and create.

However, times come when I can’t be alone or I’ll go crazy. Most humans need interaction with others and being a writer doesn’t really make me that different from everyone else.

I get lonely sometimes, when I look up from my computer and realize I’m not part of the world I’ve created. I’m not a character. I don’t live in that world.

The real world beckons.

There are writers who will tell you they never have problems separating themselves from the characters they create. Good for them. I’m not sure I always believe them, but who am I to say what goes on in another writer’s mind?

If I couldn’t become the characters I create, how can I be sure their actions and reactions are genuine? Because for me, creating a character is about more than writing down a set of actions and saying that’s what happened. The dispassionate observer will always make different choices than the one made by the person who’s actually in the moment.

This is why I believe a synopsis written before-hand will almost always lead you astray.

I become my characters and I write as if I were in the situation I’ve created, and my ideas come when I move about the room, talk to my friends and my enemies, see the things around me. I translate what I see and what I do into words and write them down.

This is the reason why I don’t think out my story before I create. This is the reason I have to be alone. When others are talking to me or interrupting me, I can’t be someone else. I have to be me.

But then the time comes for me to leave my world and re-enter the real world. Because a solitary writer doesn’t have to be a solitary person–can’t be, if authenticity of character is important.

The way people behave changes as society changes. A good writer has to stay on top of those changes so their characters are reflective of real people. Every person you write should have some basis from someone real. Only then can you write characters that real people care about.

The things real people do are great story fodder.

I don’t always want to be the characters I create, but there’s a strange joy in figuring out why someone has done something.

If you’ve hit a stumbling block with your story, think about your characters.

  • Are they making genuine decisions or are you forcing some issue?
  • Are you becoming that character in their moment of crisis or are you playing puppeteer?
  • Is your character boring you?
  • Have you reached a point where you don’t want to be the person you’ve created?

These questions can help you, if you think hard and are honest with your answers.

There are times when a writer must be solitary, but don’t assume you should always keep yourself locked up in a creative state. Sometimes you just need to listen and learn from the people around you, so that your ideas can flow freely.

(Comments on this topic are welcomed.)

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What to do when the writing gets hard?

Sometimes it’s like looking in a mirror and seeing a stranger. Whether standing behind you or beside you, it is you and you wonder how you got there, because you thought you were here. And then there are the days when you know who you are, but you don’t, and you wonder. Do I know what I’m doing? Do I know who I am when I’m not writing?

If you can answer yes, you’re lucky, and you shouldn’t forget that. But if you answered no, then you’re like me and that’s not such a bad place to be.

But it can be better.

I’m not a philosopher, far from it. But I know a few tricks when it comes to writing.

If you’re a member of a lot of writing listserves, go no mail and mean it. Don’t visit the web interface and read the messages you’re not getting, because you don’t want to see what other authors are saying. You need freedom to remember why you’re a writer and freedom to think your own thoughts. Sure you learn from these other authors, and sure you enjoy their company, but if you don’t concentrate on yourself, you might forget who you are and why you do what you do. How can you write what’s in your heart and in your head if you don’t even know who you are when you’re not someone else?

If you have a critique partner or a critique group, choose to keep it all to yourself for a change. Don’t talk about it, don’t write about it in email, or in any other fashion. You’ve always been told to share, but in this instance you want to be stingy and keep what’s you close to yourself.

Don’t post excerpts for anyone to see. Posting is committing and committing is for later. You need your space and you need air, and you certainly don’t need someone breathing down your neck for more.

Remember to laugh, because laughing is as fun as writing should be. Even that which is hard is good, and running from a beehive with your friends is terrifying until you’ve gotten away. And then you laugh until you cry and roll around on the grass, and wasn’t that the best day you ever had?

If you take writing too seriously maybe you’re not taking it seriously enough. If it’s a forever kind of thing you want from this you’ll have to let go. You can’t live in the moment forever and the future doesn’t exist. You have to want it today and tomorrow and yesterday, but if you do, you’re going to lose yourself, because when is life about work and how does living take second place to something else? It shouldn’t and you should remember this when your son asks you to look at his project because the next time you look he’ll be gone.

Take it one moment at a time and remember that one moment isn’t all you get. Your lifetime is full of moments and when you remember that you’ll realize tomorrow is tomorrow and today is today and you do have to live in the moment after all. But that isn’t so bad, because you’re not waiting for tomorrow. Tomorrow is waiting for you.

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